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Garbage's Box
Publicité
2 octobre 2016

03/04/1996 Elysee Montmatre, Paris, France

Garbage Album Tour


3 avril 1996
 Elysée Montmatre
Paris

France


Groupe

Shirley Manson (chant, guitare)
Steeve Marker (guitare et clavier)
Duke Erikson (guitare et clavier)
Butch Vig (batterie)
Daniel Shulman (guitare basse)


- Première partie: Bis ou The Rentals ? -


Setlist

Intro
1.
Queer

2. Fix Me Now
    3. Not My Idea
   4. Dog New Tricks
5. My Lover's Box
6. Milk
7. Supervixen
8. Stupid Girl
9. Trip My Wire
10.
Only Happy When It Rains
11. Vow

12. Subhuman

13. Kick My Ass
14.
Girl Don't Come


 Concert

> Ticket d'entrée 
1996-04-03-france-paris-ticket 


© All images are copyright and protected by their respective owners, assignees or others.
copyright text by GinieLand.

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Publicité
1 décembre 2016

Magazine NYLON 2015, March

2015-03-NYLON_sitting-by_esteban_calderon-Teri_Suarez_Shirley_Brody_Dalle-1-1  Nylon
pays magazine: Espagne
date mars 2015
Couverture Teri Suarez, Shirley Manson, Brody Dalle
contenu: article de 8 pages 

 

2015-03-NYLON-p01-02  2015-03-NYLON-p03-04 
2015-03-NYLON-p04-05  2015-03-NYLON-p06-07  


Photography: Esteban Calderón
Shirley Manson
Make Up: Frederic Aspiras
Hair: Frederic Aspiras
Styling: Marjan Malakpour x TheOnlyAgency 
Styling Assist: Marnika Weiss 
Teri Gender Bender 
Make Up and Hair: Luis Almanza 
Make Up and Hair Assist: Moisés Omar 
Styling: Krissie Torgerson
Styling Assist: Maurice De La Falaise
Brody Dalle 
Make Up and Hair: Luis Almanza
Hair Assist: Moisés Omar 
Styling: Marjan Malakpour x TheOnlyAgency 
Styling Assist: Marnika Weiss 

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16 octobre 2016

15/05/1996 Garbage EPK

Garbage Album Promo


Date: 15 mai 1996
Télévision Garbage EPK
USA
Interview Garbage

1996-05-15-garbage_EPK-title-cap1 


Groupe
Shirley Manson
Butch Vig
Steeve Marker
Duke Erikson


Contenu: interview du groupe (sur leur formation, explication des chansons "Vow", "Queer", "Stupid Girl", "Only Happy When It Rains" et "Milk", et de leurs prochaines dates à l'étranger) entrecoupée d'images du groupe en live et des clips vidéos.

Captures & Video
1996-05-15-garbage_EPK-cap01 1996-05-15-garbage_EPK-cap02 1996-05-15-garbage_EPK-cap03 
1996-05-15-garbage_EPK-cap04 1996-05-15-garbage_EPK-cap05 1996-05-15-garbage_EPK-cap06 
1996-05-15-garbage_EPK-cap07 1996-05-15-garbage_EPK-cap08 1996-05-15-garbage_EPK-cap09 
1996-05-15-garbage_EPK-cap10 1996-05-15-garbage_EPK-cap11 1996-05-15-garbage_EPK-cap12 
1996-05-15-garbage_EPK-cap13 1996-05-15-garbage_EPK-cap14 1996-05-15-garbage_EPK-cap15 
1996-05-15-garbage_EPK-cap16 1996-05-15-garbage_EPK-cap17 1996-05-15-garbage_EPK-cap18 
1996-05-15-garbage_EPK-cap19 1996-05-15-garbage_EPK-cap20 1996-05-15-garbage_EPK-cap21 
1996-05-15-garbage_EPK-cap22 1996-05-15-garbage_EPK-cap23 1996-05-15-garbage_EPK-cap24 
1996-05-15-garbage_EPK-cap25 1996-05-15-garbage_EPK-cap26 1996-05-15-garbage_EPK-cap27 
1996-05-15-garbage_EPK-cap28 1996-05-15-garbage_EPK-cap29 1996-05-15-garbage_EPK-cap30 
1996-05-15-garbage_EPK-cap31 1996-05-15-garbage_EPK-cap32 1996-05-15-garbage_EPK-cap33 
1996-05-15-garbage_EPK-cap34 1996-05-15-garbage_EPK-cap35 1996-05-15-garbage_EPK-cap36 
1996-05-15-garbage_EPK-cap37 1996-05-15-garbage_EPK-cap38 1996-05-15-garbage_EPK-cap39 
1996-05-15-garbage_EPK-cap40 1996-05-15-garbage_EPK-cap41 1996-05-15-garbage_EPK-cap42 
1996-05-15-garbage_EPK-cap43 1996-05-15-garbage_EPK-cap44 1996-05-15-garbage_EPK-cap45 
1996-05-15-garbage_EPK-cap46 1996-05-15-garbage_EPK-cap47 1996-05-15-garbage_EPK-cap48 
1996-05-15-garbage_EPK-cap49 1996-05-15-garbage_EPK-cap50 1996-05-15-garbage_EPK-cap51 
1996-05-15-garbage_EPK-cap52 1996-05-15-garbage_EPK-cap53 1996-05-15-garbage_EPK-cap54 
1996-05-15-garbage_EPK-cap55 1996-05-15-garbage_EPK-cap56 1996-05-15-garbage_EPK-cap57 
1996-05-15-garbage_EPK-cap58 1996-05-15-garbage_EPK-cap59 1996-05-15-garbage_EPK-cap60 
1996-05-15-garbage_EPK-cap61 1996-05-15-garbage_EPK-cap62 1996-05-15-garbage_EPK-cap63 


© All images are copyright and protected by their respective owners, assignees or others.
copyright text by GinieLand.

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27 mai 2017

Magazine The Edit 18/05/2017

2017-05-the_Edit-usa-cover  The Edit
n°402
pays magazine: International

paru le 18 mai 2017
prix: gratuit - magazine à télécharger en ligne sur NetAPorter
contenu: Shirley Manson interviewe l'actrice Robin Wright (article de 18 pages)


> version en français

- couverture -
2017-05-the_Edit-fr-cover 

- edito / sommaire -
2017-05-the_Edit-fr-p01  

- article -
2017-05-the_Edit-fr-p02 2017-05-the_Edit-fr-p03 2017-05-the_Edit-fr-p04 
2017-05-the_Edit-fr-p05  2017-05-the_Edit-fr-p06 2017-05-the_Edit-fr-p07 
2017-05-the_Edit-fr-p08 2017-05-the_Edit-fr-p09 2017-05-the_Edit-fr-p10 


> english version

- cover -
2017-05-the_Edit-fr-cover 

- content -
2017-05-the_Edit-fr-p01 

- article -
2017-05-the_Edit-usa-p02
2017-05-the_Edit-usa-p03 2017-05-the_Edit-usa-p04 
2017-05-the_Edit-usa-p05 2017-05-the_Edit-usa-p06 2017-05-the_Edit-usa-p07 
2017-05-the_Edit-usa-p08 2017-05-the_Edit-usa-p09 2017-05-the_Edit-usa-p10 

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8 avril 2017

21/08/1996 Longhorn, Stuttgart, Allemagne

Garbage Album Tour


21 août 1996
Longhorn
Stuttgart

Allemagne


Groupe

Shirley Manson (chant, guitare)
Steeve Marker (guitare et clavier)
Duke Erikson (guitare et clavier)
Butch Vig (batterie)
Daniel Shulman (guitare basse)


 Setlist

 1. Vow
2. Fix Me Now
    3. Not My Idea
   4. As Heaven Is Wide
5. My Lover's Box
6. Girl Don't Come
7. Milk
8. Queer
9. Supervixen
10.
Stupid Girl
11. Only Happy When It Rains
12. Subhuman

13. Kick My Ass

14.
Trip My Wire


Concert

> Ticket d'entrée 
1996-08-21-allemagne-stuttgart-ticket 


© All images are copyright and protected by their respective owners, assignees or others.
copyright text by GinieLand.

Publicité
16 mars 2017

28/05/2016 Rock Antenne

Strange Little Birds Promo


 28 mai 2016
Radio/Web Video RockAntenne - Munich, Allemagne

Interview Garbage
Shirley Manson, Duke Erikson
> rockantenne

2016-05-28-allemagne_munich_rock_antenne-010-1 
Duke, Shirley et l'interviewer Thomas Moser


A l'occasion de leur concert donné à Munich, Duke et Shirley sont interviewés - vidéo en ligne sur la chaîne Youtube de Rock Antenne.

 > captures
2016-05-28-allemagne_munich_rock_antenne-cap01 2016-05-28-allemagne_munich_rock_antenne-cap02 2016-05-28-allemagne_munich_rock_antenne-cap03 
2016-05-28-allemagne_munich_rock_antenne-cap04 2016-05-28-allemagne_munich_rock_antenne-cap05 2016-05-28-allemagne_munich_rock_antenne-cap06 
2016-05-28-allemagne_munich_rock_antenne-cap07 2016-05-28-allemagne_munich_rock_antenne-cap08 2016-05-28-allemagne_munich_rock_antenne-cap09 

> video


© All images are copyright and protected by their respective owners, assignees or others.
copyright text by GinieLand.

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20 octobre 2016

22/06/2016 Shirley Manson à Mexico

Strange Little Birds Promo


 22 juin 2016
Medias - Mexico
Shirley Manson


Le 22 juin 2016, Shirley Manson est à Mexico, pour promouvoir l'album de Garbage "Strange Little Birds" et leur prochaine venue en concert au Mexique en septembre 2016.
In June 22, 2016, Shirley Manson is in Mexico to promote the Garbage's album "Strange Little Birds" and their next coming in concert in Mexico in September 2016.


Reportage Lince Media - Mexico, Coyoacan

  • Shirley et son mari Billy Bush visitent les lieux traditionnels de Coyoacan, comme son marché artisanal et un magasin de mezcal (whisky mexicain). Un journaliste (de Lince Media) interviewe Shirley, accompagné d'un cameraman et de photographes. Des fans vont aussi poster des photos de leur rencontre avec Shirley sur les réseaux sociaux.
    Shirley and her husband Billy Bush visit the traditionnal places of Coyoacan, such as the craft market and a Mezcal store (Mexican whiskey). A journalist (from Lince Media) interviews Shirley, accompanied by a cameraman and photographers. Fans will also post photos of their meeting with Shirley on social networks.

> photos
2016-06-22-mexico-promo-coyoacan_market-01-2 2016-06-22-mexico-promo-coyoacan_market-01-1 2016-06-22-mexico-promo-coyoacan_market-01-2b 
2016-06-22-mexico-promo-coyoacan_market-01-3 2016-06-22-mexico-promo-coyoacan_market-01-3a 
2016-06-22-mexico-promo-coyoacan_market-01-4  2016-06-22-mexico-promo-coyoacan_market-01-4b 
2016-06-22-mexico-promo-coyoacan_market-02-1  2016-06-22-mexico-promo-coyoacan_market-03-1 

> captures
2016-06-22-mexico-promo-coyoacan_market-cap-01-1 2016-06-22-mexico-promo-coyoacan_market-cap-01-2 2016-06-22-mexico-promo-coyoacan_market-cap-01-3 
2016-06-22-mexico-promo-coyoacan_market-cap-01-4 2016-06-22-mexico-promo-coyoacan_market-cap-01-5 2016-06-22-mexico-promo-coyoacan_market-cap-01-6 
2016-06-22-mexico-promo-coyoacan_market-cap-01-7 2016-06-22-mexico-promo-coyoacan_market-cap-01-8 2016-06-22-mexico-promo-coyoacan_market-cap-01-9 
2016-06-22-mexico-promo-coyoacan_market-cap-01-10 2016-06-22-mexico-promo-coyoacan_market-cap-01-11 2016-06-22-mexico-promo-coyoacan_market-cap-01-12 
2016-06-22-mexico-promo-coyoacan_market-cap-01-13 2016-06-22-mexico-promo-coyoacan_market-cap-01-14 2016-06-22-mexico-promo-coyoacan_market-cap-01-15 

> video sur vimeo


Média - Mexico, UK Embassy

  • Shirley est reçue à l'ambassade du Royaume-Uni, par l'ambassadeur britannique Duncan Taylor.
    Shirley is received at the Embassy of the United Kingdom by the British Ambassador Duncan Taylor.

> photos
2016-06-22-mexico-UK_ambassade-shirley_with_british_ambassador_duncan_taylor-instagram-1 2016-06-22-mexico-UK_ambassade-shirley_with_british_ambassador_duncan_taylor-2 2016-06-22-mexico-UK_ambassade-shirley_with_british_ambassador_duncan_taylor-3  

2016-06-22-mexico-UK_ambassade-01-1  2016-06-22-mexico-UK_ambassade-01-2 
2016-06-22-mexico-UK_ambassade-shirley_with_british_ambassador_duncan_taylor-1  2016-06-22-mexico-UK_ambassade-shirley_with_british_ambassador_duncan_taylor-1b  


Interview Télé Central Once - Mexico, UK Embassy

  • A l'ambassade du Royaume-Uni, Shirley est interviewée par Aldo Sanchez Vera pour Central Once.
    At the UK Embassy, Shirley is interviewed by Aldo Sanchez Vera for Central Once.

 > photo
2016-06-22-mexico-central_once-01-1 

> captures
2016-06-22-mexico-central_once-cap01 2016-06-22-mexico-central_once-cap02 2016-06-22-mexico-central_once-cap03 
2016-06-22-mexico-central_once-cap04 2016-06-22-mexico-central_once-cap05 2016-06-22-mexico-central_once-cap06 
2016-06-22-mexico-central_once-cap07 2016-06-22-mexico-central_once-cap08 2016-06-22-mexico-central_once-cap09 
2016-06-22-mexico-central_once-cap10 2016-06-22-mexico-central_once-cap11 2016-06-22-mexico-central_once-cap12 

> video

> coulisses - captures
2016-06-22-mexico-central_once-set-cap01-1 2016-06-22-mexico-central_once-set-cap01-2 2016-06-22-mexico-central_once-set-cap01-3 
2016-06-22-mexico-central_once-set-cap01-4 2016-06-22-mexico-central_once-set-cap01-5 2016-06-22-mexico-central_once-set-cap01-6 

> video des coulisses sur Twitter Central Once


Video Chat Rolling Stone - Mexico

  • L'édition mexicaine du magazine Rolling Stone a organisé une interview en direct avec Shirley Manson; les fans pouvaient poser des questions via facebook. (durée: 45 min)
    The Mexican edition of Rolling Stone magazine hosted a live interview with Shirley Manson; fans could ask questions via facebook.

 2016-06-22-mexico-rolling_stone-01-1 

> photo
2016-06-22-mexico-rolling_stone-02-1 

> captures
2016-06-22-mexico-rolling_stone-cap01-1 2016-06-22-mexico-rolling_stone-cap01-2 2016-06-22-mexico-rolling_stone-cap01-3 

>  video


Radio RMX - Mexico

> photo
2016-06-22-mexico-radio_rmx-instagram-1 

> captures
2016-06-22-mexico-radio_rmx-periscope-cap01-1 2016-06-22-mexico-radio_rmx-periscope-cap01-2 2016-06-22-mexico-radio_rmx-periscope-cap01-3  

> video periscope


Radio Reactor 105.7 FM - Mexico

> photos
2016-06-22-mexico-radio_reactor_105-shirley_with_fans-1 2016-06-22-mexico-radio_reactor_105-shirley_with_fans-instagram-1 2016-06-22-mexico-radio_reactor_105-shirley_with_fans-2 
2016-06-22-mexico-radio_reactor-01-1  2016-06-22-mexico-radio_reactor-01-2 

> captures 
2016-06-22-mexico-radio_reactor-periscope-cap01-1 2016-06-22-mexico-radio_reactor-periscope-cap01-2 2016-06-22-mexico-radio_reactor-periscope-cap01-3 

> video periscope sur periscope.tv


Interview - Mexico

> photos 
2016-06-22-mexico-promo-01-2  2016-06-22-mexico-promo-01-1  


© All images are copyright and protected by their respective owners, assignees or others.
copyright text by GinieLand.
 

15 octobre 2016

Le livre officiel à paraître en 2017

book-thisisthenoise  This Is the Noise That Keeps Me Awake, phrase extraite du titre "Push It" en 1998, et c'est aussi le titre du livre officiel de Garbage, écrit en collaboration avec Jason Cohen (journaliste au magazine américain Rolling Stone) et à paraître le 11 juillet 2017 aux éditions Akashic Books, en anglais et au prix de 27 € pour 170 pages (tel qu'il est présenté en précommande sur amazon). 
En couverture, le groupe photographié par Lindsay Byrnes en avril 2016 sur le tournage de leur clip vidéo "Empty", premier single extrait de leur dernier album "Strange Little Birds". 

Déjà, un extrait circule: Butch Vig, batteur: “It was 1995, we were finishing our debut album, and I was stressed. A lot of music business people had told me it was a mistake to give up full-time music production to start a band. So I ignored them all and took a leap of faith. The simplest reason was that I just wanted to be in a band with my friends. I’d been playing with Duke and Steve for several years, and now we had a new beginning with an X factor: a Scottish singer named Shirley. She seemed like a good fit for our little club of misfits. So we all took that leap.”

2 octobre 2016

07/04/1996, Phillipsshelter, Rockpalast, Dusseldorf, Allemagne

Garbage Album Tour


 07 avril 1996
Rockpalast "Oster Rocknacht Festival"
Mitsubishi Electric Halle (ex Phillipshelter)
Düsseldorf

Allemagne


Groupe

Shirley Manson (chant, guitare)
Steeve Marker (guitare et clavier)
Duke Erikson (guitare et clavier)
Butch Vig (batterie)
Daniel Shulman (guitare basse)


Setlist

1. Queer
2. Fix Me Now
    3. Not My Idea
   4. Dog New Tricks
5. My Lover's Box
6. Milk
7. Supervixen
8. Stupid Girl
9. Trip My Wire
10. Only Happy When It Rains
11. Vow


Concert

- captures
1996-04-07-allemagne-rockpalast-cap01-queer-1 1996-04-07-allemagne-rockpalast-cap01-queer-2 1996-04-07-allemagne-rockpalast-cap01-queer-3 
1996-04-07-allemagne-rockpalast-cap01-queer-4 1996-04-07-allemagne-rockpalast-cap01-queer-5 1996-04-07-allemagne-rockpalast-cap01-queer-6 
1996-04-07-allemagne-rockpalast-cap01-queer-7 1996-04-07-allemagne-rockpalast-cap01-queer-8 1996-04-07-allemagne-rockpalast-cap01-queer-9 
1996-04-07-allemagne-rockpalast-cap02-fixmenow-1 1996-04-07-allemagne-rockpalast-cap02-fixmenow-2 1996-04-07-allemagne-rockpalast-cap02-fixmenow-3 
1996-04-07-allemagne-rockpalast-cap03-notmyidea-1 1996-04-07-allemagne-rockpalast-cap03-notmyidea-2 1996-04-07-allemagne-rockpalast-cap04-dognewtricks-1 
1996-04-07-allemagne-rockpalast-cap05-myloversbox-1 1996-04-07-allemagne-rockpalast-cap05-myloversbox-2 1996-04-07-allemagne-rockpalast-cap05-myloversbox-3 
1996-04-07-allemagne-rockpalast-cap06-milk-1 1996-04-07-allemagne-rockpalast-cap06-milk-2 1996-04-07-allemagne-rockpalast-cap06-milk-3 
1996-04-07-allemagne-rockpalast-cap07-supervixen-1 1996-04-07-allemagne-rockpalast-cap07-supervixen-2 1996-04-07-allemagne-rockpalast-cap07-supervixen-3 
1996-04-07-allemagne-rockpalast-cap08-stupidgirl-1 1996-04-07-allemagne-rockpalast-cap08-stupidgirl-2 1996-04-07-allemagne-rockpalast-cap08-stupidgirl-3 
1996-04-07-allemagne-rockpalast-cap09-tripmywire-1 1996-04-07-allemagne-rockpalast-cap09-tripmywire-2 1996-04-07-allemagne-rockpalast-cap09-tripmywire-3 
1996-04-07-allemagne-rockpalast-cap10-ohwir-1 1996-04-07-allemagne-rockpalast-cap10-ohwir-2 1996-04-07-allemagne-rockpalast-cap10-ohwir-3 
1996-04-07-allemagne-rockpalast-cap11-vow-1 1996-04-07-allemagne-rockpalast-cap11-vow-2 1996-04-07-allemagne-rockpalast-cap11-vow-3 
1996-04-07-allemagne-rockpalast-cap11-vow-4 1996-04-07-allemagne-rockpalast-cap11-vow-5 1996-04-07-allemagne-rockpalast-cap11-vow-6 

- live:  concert -


© All images are copyright and protected by their respective owners, assignees or others.
copyright text by GinieLand.

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9 août 2016

07/12/1995 WHFF Holiday Show, Washington, USA

Garbage Album Tour


07 décembre 1995
WHFF Holiday Show
Washington, Columbia District

USA


Groupe

Shirley Manson (chant, guitare)
Steeve Marker (guitare et clavier)
Duke Erikson (guitare et clavier)
Butch Vig (batterie)
Daniel Shulman (guitare basse)


Setlist

-?-


Concert

- captures -
1995-12-07-usa-washington-cap_queer-01 1995-12-07-usa-washington-cap_queer-02 1995-12-07-usa-washington-cap_queer-03 

- live:  Queer -


© All images are copyright and protected by their respective owners, assignees or others.
copyright text by GinieLand.

8 juin 2016

04/2016 Virgin Radio Italie

Strange Little Birds Promo


 Avril 2016
Web Video Virgin Radio Italy - Italie

Promo de Shirley Manson pour le concert
du 8 juin 2016 à Milan

> le message de Shirley sur virginradio.it


> captures

2016-04-virgin-cap01 2016-04-virgin-cap02 2016-04-virgin-cap03  


© All images are copyright and protected by their respective owners, assignees or others.
copyright text by GinieLand.  

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23 août 2016

07/06/2016 Center Urbane Kulture Kino Siska, Ljubljana, Slovenie

Strange Little Birds Tour


7 juin 2016
Center Urbane Kulture Kino Siska
Ljubljana

Slovenie


Groupe

Shirley Manson (voix)
Steeve Marker (guitare et clavier)
Duke Erikson (guitare et clavier)
Matt Walker (batterie)
Eric Avery (guitare basse)


Setlist

1. Sometimes
2. Empty
    3. Stupid Girl
   4. Special
5. Blood For Poppies
6. Bleed Like Me
7. My Lovers Box
8. Sex Is Not The Enemy
9. A Stroke Of Luck
10. Control
11.
#1 Crush

12. I Think I'm Paranoid
13. Battle In Me
14. Automatic Systematic Habit
15. The Trick Is To Keep Breathing

16. Blackout
17. Push It
18. Vow
19. Only Happy When It Rains

Rappel / Encore
20.
Why Do You Love Me
21. Even Though Our Love Is Doomed
22. Cherry Lips


> 07 juin 2016 - Garbage publie une photographie sur Instagram

2016-06-07-slovenie-Ljubljana-instagram-1b  
2016-06-07-slovenie-Ljubljana-instagram-1a 


Concert

2016-06-07-slovenie-Ljubljana-01-1 2016-06-07-slovenie-Ljubljana-01-2 
2016-06-07-slovenie-Ljubljana-01-3  2016-06-07-slovenie-Ljubljana-01-5 
2016-06-07-slovenie-Ljubljana-01-4 2016-06-07-slovenie-Ljubljana-01-6 
2016-06-07-slovenie-Ljubljana-01-7 2016-06-07-slovenie-Ljubljana-01-8 2016-06-07-slovenie-Ljubljana-01-9 
2016-06-07-slovenie-Ljubljana-01-10 2016-06-07-slovenie-Ljubljana-01-11 2016-06-07-slovenie-Ljubljana-01-12 
2016-06-07-slovenie-Ljubljana-01-13 2016-06-07-slovenie-Ljubljana-01-15 
2016-06-07-slovenie-Ljubljana-01-14 2016-06-07-slovenie-Ljubljana-01-26  2016-06-07-slovenie-Ljubljana-01-27 
2016-06-07-slovenie-Ljubljana-01-20 2016-06-07-slovenie-Ljubljana-01-16 
2016-06-07-slovenie-Ljubljana-01-17 2016-06-07-slovenie-Ljubljana-01-18 2016-06-07-slovenie-Ljubljana-01-19 
2016-06-07-slovenie-Ljubljana-01-21  2016-06-07-slovenie-Ljubljana-01-23 2016-06-07-slovenie-Ljubljana-01-25 
2016-06-07-slovenie-Ljubljana-01-22  2016-06-07-slovenie-Ljubljana-01-24 


- live:  I Think I'm Paranoid -


© All images are copyright and protected by their respective owners, assignees or others.
copyright text by GinieLand.  

9 août 2016

05/12/1995 WBCN Holiday Show, Boston, USA

Garbage Album Tour


05 décembre 1995
Festival WBCN Holiday Show
The Middle East
Boston, Massachusetts
USA


Groupe

Shirley Manson (chant, guitare)
Steeve Marker (guitare et clavier)
Duke Erikson (guitare et clavier)
Butch Vig (batterie)
Daniel Shulman (guitare basse)


Setlist

(incomplète et aléatoire):
Supervixen
Stupid Girl
Stroke of Luck
Fix Me Now
Not My Idea
Vow

Subhuman
As Heaven Is Wide
Queer
My Lover's Box
Trip My Wire
I'm Only Happy When It Rains


Concert

- captures -

1995-12-05-usa-boston-as_heaven_is_wide-cap01 1995-12-05-usa-boston-as_heaven_is_wide-cap02 1995-12-05-usa-boston-as_heaven_is_wide-cap03 
1995-12-05-usa-boston-fix_me_now-cap01 1995-12-05-usa-boston-fix_me_now-cap02 1995-12-05-usa-boston-fix_me_now-cap03 
1995-12-05-usa-boston-fix_me_now-cap04 1995-12-05-usa-boston-fix_me_now-cap05 1995-12-05-usa-boston-fix_me_now-cap06 
1995-12-05-usa-boston-not_my_idea-cap01 1995-12-05-usa-boston-not_my_idea-cap02 1995-12-05-usa-boston-not_my_idea-cap03 
1995-12-05-usa-boston-queer-cap01 1995-12-05-usa-boston-queer-cap02 1995-12-05-usa-boston-queer-cap03 
1995-12-05-usa-boston-stroke_of_luck-cap01 1995-12-05-usa-boston-stroke_of_luck-cap02 1995-12-05-usa-boston-stroke_of_luck-cap03 
1995-12-05-usa-boston-stupid_girl-cap01 1995-12-05-usa-boston-stupid_girl-cap02 1995-12-05-usa-boston-stupid_girl-cap03 
1995-12-05-usa-boston-subhuman-cap01 1995-12-05-usa-boston-subhuman-cap02 1995-12-05-usa-boston-subhuman-cap03 
1995-12-05-usa-boston-subhuman-cap04 1995-12-05-usa-boston-subhuman-cap05 1995-12-05-usa-boston-subhuman-cap06 
1995-12-05-usa-boston-supervixen-cap01 1995-12-05-usa-boston-supervixen-cap02 1995-12-05-usa-boston-supervixen-cap03 
1995-12-05-usa-boston-supervixen-cap04 1995-12-05-usa-boston-supervixen-cap05 1995-12-05-usa-boston-supervixen-cap06 
1995-12-05-usa-boston-supervixen-cap07 1995-12-05-usa-boston-supervixen-cap08 1995-12-05-usa-boston-supervixen-cap09 
1995-12-05-usa-boston-vow-cap01 1995-12-05-usa-boston-vow-cap02 1995-12-05-usa-boston-vow-cap03 
1995-12-05-usa-boston-myloversbox-cap01 1995-12-05-usa-boston-myloversbox-cap02 1995-12-05-usa-boston-myloversbox-cap03 
1995-12-05-usa-boston-tripmywire-cap01 1995-12-05-usa-boston-tripmywire-cap02 1995-12-05-usa-boston-tripmywire-cap03 
1995-12-05-usa-boston-onlyhappy-cap01 1995-12-05-usa-boston-onlyhappy-cap02 1995-12-05-usa-boston-onlyhappy-cap03 


 - live:  Stroke of Luck / Fix Me Now  -
 

 - live:  Supervixen / Stupid Girl


© All images are copyright and protected by their respective owners, assignees or others.
copyright text by GinieLand.

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9 août 2016

03/12/1995, Wappensaal, Munich, Allemagne

Garbage Album Tour


03 décembre 1995
Wappensaal
Munich

Allemagne


Groupe

Shirley Manson (chant, guitare)
Steeve Marker (guitare et clavier)
Duke Erikson (guitare et clavier)
Butch Vig (batterie)
Daniel Shulman (guitare basse)


Setlist

-?-


Concert

garbage-live-1995-12-03-allemagne-munich-wappansaal-1  garbage-live-1995-12-03-allemagne-munich-wappansaal-3 
garbage-live-1995-12-03-allemagne-munich-wappansaal-2 garbage-live-1995-12-03-allemagne-munich-wappansaal-4 garbage-live-1995-12-03-allemagne-munich-wappansaal-2a 


© All images are copyright and protected by their respective owners, assignees or others.
copyright text by GinieLand.

7 août 2016

01/12/1995 Salle Omnisports, Transmusicales de Rennes, France

Garbage Album Tour


01 décembre 1995
Salle Omnisports
Festival: Transmusicales de Rennes

France


Groupe

Shirley Manson (chant, guitare)
Steeve Marker (guitare et clavier)
Duke Erikson (guitare et clavier)
Butch Vig (batterie)
Daniel Shulman (guitare basse)


Affiche

1995-12-01-france-rennes-affiche-cd_compil-1 


Setlist

1. Subhuman
2. Fix Me Now
    3. Trip My Wire
   4. Only Happy When It Rains
5. Stupid Girl
6. As Heaven Is Wide
7. Queer
8. Not My Idea
9. Vow


Il s'agit du premier concert de Garbage en France. 
This is the first Garbage's gig in France.


Concert

1995-12-01-france-rennes-by_eric_perez-2-1 1995-12-01-france-rennes-by_Philippe_Remond-2-2 1995-12-01-france-rennes-by_Philippe_Remond-2-1 
1995-12-01-france-rennes-by_Philippe_Remond-1-1 1995-12-01-france-rennes-by_eric_perez-1-1 1995-12-01-france-rennes-by_bruno_chiron-1-1 

- captures de l'émission Rock Express -
1996-01-07-M6-rock_express-cap-03 1996-01-07-M6-rock_express-cap-10 1996-01-07-M6-rock_express-cap-14 
1996-01-07-M6-rock_express-cap-19 1996-01-07-M6-rock_express-cap-23
1996-01-07-M6-rock_express-cap-28 


Backstage

captures de l'émission Rock Express
1996-01-07-M6-rock_express-cap-09
1996-01-07-M6-rock_express-cap-25 1996-01-07-M6-rock_express-cap-31


Review

Garbage - Texte programme
en ligne sur Mémoires de Trans
D'entrée, clarifions l'affaire : Garbage n'est pas le groupe de Butch Vig, mais un groupe dont il fait partie. Nuance. D'autant plus que la genèse de ce projet remonte à 84, lorsque Butch et Steve Marker montent leur propre studio. Ils rencontrent Duke Erikson peu après. Après quelques projets communs - les groupes Spooner et Firetown - Vig devient le producteur à succès (Smashing Pumpkins, Nirvana) que l’on sait, sans couper les ponts avec ses vieux acolytes. De nouveau réunis aujourd'hui, ils ont enrôlé l'exquise Shirley Manson, lèvres pulpeuses et voix aguicheuse. Leur premier album est une pure merveille : mélodies pop sur strates de guitares trafiquées, perversité technologique et robustesse rythmique. Une formule obsédante qui promet à Garbage - et au rock - un avenir radieux.

Les Trans n'entrent pas dans la dance.
Le 04 décembre 1995 - en ligne sur Libération
Les Trans n'entrent pas dans la dance. A Rennes, ce qu'on retiendra de l'option rap-rave des XVII e Transmusicales.
Rennes, envoyé spécial
Ils sont là pour se faire remarquer: ils jouent n'importe où. Ils ont donné un concert à l'Ubu dans l'après-midi, ils essayent maintenant le bar VIP de la salle omnisports, devant quelques mines un peu longues et une lumière un peu jaune, ils tournent les talons. On les retrouve donc à l'extérieur vers minuit, pas loin d'une porte où traînent quelques curieux, contre un mur de béton, dans un coin noir semé de papiers. La bruine est fine, ils sont à l'abri, ils sont deux et, côté bazar, se débrouillent comme pas deux.
(...)  Même impression un peu plus tôt dans la soirée avec Garbage, le groupe de Butch Vig, l'ancien producteur de Nirvana. Emmené par Shirley Manson, une jeune Ecossaise bien sûre d'elle, toute en noir derrière son boa rose, le groupe file droit sans prendre de risque superflu. La rythmique tourne à plein, la mise en place reproduit au plus juste les effets du disque, les riffs de guitare façon Stooges font leur petit effet sur le public rennais. Rien de franchement renversant, mais Butch Vig a des idées en pagaille, la Shirley en question a du coffre et de l'abattage, un peu de Chrissie Hynde dans les jambes et une voix qui peut porter loin. Un coup à la Cranberries n'est pas à exclure. Cette soirée fut réussie: programmation bien calée, salle comble malgré la grève qui a causé bien des soucis aux organisateurs.


© All images are copyright and protected by their respective owners, assignees or others.
copyright text by GinieLand.

9 juillet 2016

28/05/2016 Rockavaria Festival, Munich, Allemagne

Strange Little Birds Tour


28 mai 2016
Rockavaria Festival
Olympiapark
Munich

Allemagne


Affiche

2016-05-28-munich-rockavaria_festival_affiche-1 


Groupe

Shirley Manson (voix)
Steeve Marker (guitare et clavier)
Duke Erikson (guitare et clavier)
Matt Walker (batterie)
Eric Avery (guitare basse)


Setlist

1. Empty
    2. Stupid Girl
   3. Blood For Poppies
  4. Automatic Systematic Habit
5. Why Do You Love Me
6. I Think I'm Paranoid
7. Cherry Lips
8. Push It
9. Vow
10. Only Happy When t Rains


#1 Crush


Photos Concert

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- #1 Crush -



Sur leur page Instagram, Garbage écrit: "This is what "oh my god I Think I might be about to pass out looks like"

2016-05-28-munich-rockavaria_festival-instagram-1a 
2016-05-28-munich-rockavaria_festival-instagram-1 


Review

Garbage beim Rockavaria: Die Konzertkritik
Shirley Manson macht Fans happy

Article publié le 29/05/2016 - par Marco Schmidt
en ligne sur merkur

München - „I’m only happy when it rains“, singt Shirley Manson voller Inbrunst. Prompt schimpfte die Garbage-Frontfrau über den schwülwarmen, sonnigen Samstagnachmittag beim Rockavaria. Das Konzert war dennoch großartig.
Tatsächlich ruft sie ihren Fans zu: „Ich leide heute für euch – meine weiße schottische Haut ist einfach nicht an die Sonne gewöhnt. Fuck sunshine! Fuck the sun!“ Trotzdem hängt sich die charismatische Sängerin wie immer ordentlich rein:
Sie schmettert kräftig, schreit gequält, haucht lasziv, hüpft im Leopardenkleid wie Pippi Langstrumpf über die Bühne, wirft sich auf den Boden, singt „Why do you love me?“ auf dem Rücken liegend und powert sich durch zwei Jahrzehnte Bandgeschichte, angetrieben von zwei schrammelnden E-Gitarren und den druckvollen Drums des Soundtüftlers Butch Vig.
Kompromisslose Alternative-Rock-Klänge bringen den Fans ihre verloren geglaubte Jugend zurück – angefangen von Songs wie „Stupid Girl“ vom großartigen 1995er-Debüt bis hin zur neuen Single „Empty“, die Appetit macht auf das im Juni erscheinende sechste Studioalbum des quirligen Quartetts.


 

© All images are copyright and protected by their respective owners, assignees or others.
copyright text by GinieLand.

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31 mai 2016

17 et 18/05/2016 East West Studios, Los Angeles, USA

Strange Little Birds Tour


17 & 18 mai 2016
East West Studios 
Los Angeles , California
USA


Affiche

 2016-05-17-LA-east_west_studios_affiche  


Groupe

Shirley Manson (voix)
Steeve Marker (guitare et clavier)
Duke Erikson (guitare et clavier)
Butch Vig (batterie)
Eric Avery (guitare basse)


Setlist
- Même Setlist pour les deux soirs -
- Same Setlist for the two evenings -

1. Sometimes
2. Empty
    3. Blackout
   4. Even Though Our Love Is Doomed  


2016-05-18-LA-east_west_studios-fb_announce 

Annoncé sur les réseaux sociaux le 21 avril 2016, Garbage a tenu deux mini concerts privés - deux soirs de suite - à Los Angeles, où ils ont interprété quatres titres extraits de leur nouvel album. Les fans souhaitant y participer, se sont inscrits sur le site  adventuresinwonderland.com . La soirée, qui coûtait 349 Dollars, comprenait :
-Ecoute du nouvel album en live
-Performance privée de 3 chansons de Garbage
-Rejoignez le groupe pour un Q & A après pour apprendre davantage sur la réalisation de l'album
-Rencontrez le groupe
-Photo avec Garbage
-Autographe du groupe
-Bière et vin
-Affiche de l'événement commémoratif
-Conciergerie de Adventures In Wonderland

Announced on social networks in April 21, 2016, Garbage held two mini private concerts - two successive nights - in Los Angeles, where they performed four songs extracted from their new album. Fans wishing to attend, registered on the website adventuresinwonderland.com. The evening, which cost 349 dollars, included:
-Listening party for Garbage's new album
-Intimate 3 song performance from Garbage
-Join the band for a Q&A after to learn about the making of the album
-Meet the band
-Photo with Garbage
-Autograph from the band
-Beer and Wine
-Commemorative Event Poster
-Adventures in wonderland concierge 


Backstage

- En répétition le 16 mai 2016 -
- Reharsal, in May, 16th, 2016 -

2016-05-16-LA-east_west_studios-rehearsal 

* * * * * * * * * *

17 mai 2016 - Garbage & fans -
2016-05-17-LA-east_west_studios-with_fan-1 2016-05-17-LA-east_west_studios-with_fan-6 2016-05-17-LA-east_west_studios-with_fan-2a 
2016-05-17-LA-east_west_studios-with_fan-3  2016-05-17-LA-east_west_studios-with_fan-2 
2016-05-17-LA-east_west_studios-with_fan-4  2016-05-17-LA-east_west_studios-with_fan-5 

- Concert -
2016-05-17-LA-east_west_studios-live-1 


- Répétition de "Empty" avec Veela, la chienne de Shirley
2016-05-17-LA-east_west_studios-rehearsal-cap-01-1 2016-05-17-LA-east_west_studios-rehearsal-cap-01-2 2016-05-17-LA-east_west_studios-rehearsal-cap-01-3 
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 * * * * * * * * * *

18 mai 2016 - Garbage & fans -
2016-05-18-LA-east_west_studios-with_fans-1-1 
 2016-05-18-LA-east_west_studios-with_fan-2 2016-05-18-LA-east_west_studios-with_fan-1 2016-05-18-LA-east_west_studios-with_fan-4 

- Photographie d'un fan postée sur facebook -
Photography from a fan published on facebook
> fb page  Humberto Ortizoga
2016-05-18-LA-east_west_studios-fb_fan1a 
2016-05-18-LA-east_west_studios-fb_fan1b 

- Garbage & fan (Matt Hanvey) -
> page Garbage Instagram
2016-05-18-LA-east_west_studios-instagram_fan-1  
2016-05-18-LA-east_west_studios-with_fan-3  

- Concert -
2016-05-17-LA-east_west_studios-live-2 
2016-05-17-LA-east_west_studios-live-3 


 > 18 mai 2016 - Sur leur page facebook, Garbage écrit: "Les hommes en noir testent le son aux Studios EastWest, ici à Los Angeles en début de soirée. Merci à Candice et son équipe pour avoir fait les choses pour qu'elle soient si faciles et harmonieuses. Nous avons été ravis de jouer nos nouvelles chansons pour nos fans dans un tel espace légendaire. Quel honneur."
2016, May, 18th - On their Facebook page, Garbage writes: "The gents in black soundchecking at EastWest Studios, here in LA earlier this evening. Thanks to Candice and her team for making everything so easy and smooth. We were thrilled to play our new songs for our fans in such a legendary space. What an honour."

2016-05-18-LA-east_west_studios-fb_1a 
2016-05-18-LA-east_west_studios-fb_1b  

> Page Instagram - Garbage: "Ready to Play"
2016-05-18-LA-east_west_studios-instagram_1 

> 18 mai 2016 - Sur leur page Twitter, Garbage écrit: "Jouer notre nouvel album pour vous, les fans de Los Angeles, était assez intense. Merci d'être venus nous soutenir +merci à @adventure pour une soirée mémorable."
2016, May, 18th - On their Twitter account, Garbage writes: "Playing our new record for you LA fans was pretty intense. Thanks for coming out 2 support us +thanks to @adventure for a memorable evening."

 2016-05-18-twitter 


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9 avril 2017

05/10/1996 Interviews au Livid Festival, Australie

Garbage Album Promo


  05 octobre 1996
Télévision
Livid Festival, Australia

Interview Garbage


Television  Recovery Backstage
Interview du groupe + live "Stupid Girl"

Interview du groupe en backstage:
- première tournée du groupe en Australie, qui peut ainsi rencontrer ses fans australiens.
- leur groupe de rock préférés sont The Who, Roxy Music, Brian Ferry, The Clash, Joe Strummer (pour Butch Vig) - The Smiths, Siouxsie and the Banshees, Nick Cave (pour Shirley Manson).
- l'écriture des chansons se fait avec chacun des membres du groupe. Shirley travaille à partir des idées apportées par les garçons; les idées peuvent provenir de livres, de films, de discusions avec les gens, de l'actualité...
- le groupe vient de passer une année entière en tournée. Leur premier concert était à Milwaukee; le concert de Minneapolis est leur plus mauvais souvenir.
+ extraits du concert du Livid Festival

 Captures & Video

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1996-10-05-australie-livid_festival-backstage-interview1_recovery-cap19 1996-10-05-australie-livid_festival-backstage-interview1_recovery-cap20 1996-10-05-australie-livid_festival-backstage-interview1_recovery-cap21 
1996-10-05-australie-livid_festival-backstage-interview1_recovery-cap22 1996-10-05-australie-livid_festival-backstage-interview1_recovery-cap23 1996-10-05-australie-livid_festival-backstage-interview1_recovery-cap24 
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Television  Red
Interview de Shirley & Steeve

Interview de Shirley Manson & Steeve Marker en backstage:
- Le nom de Manson, porté par Marilyn (Manson) et Charles (le gourou tueur: référence non comprise par l'intervieweur !).
- Ils n'ont pas vu les concerts donnés la veille au Festival (Shirley s'est reposée, elle a surtout dormi: les voyages, boire de la bière, dancer, jouer de la musique et aller se coucher).
- La couverture du magazine Details avec Shirley et Gavin Rossdale de Bush: pour Shirley, Gavin est charmant mais il était nerveux lors de la séance photos car ils ne s'étaient jamais rencontrés avant et ont du poser ensemble de façon très rapprochée, c'était étrange mais sympa.
- Shirley n'a pas changé beaucoup les paroles quand elle a rejoint le groupe car peu de paroles avaient été écrites. C'est un travail de collaboration à quatre mains. Pour Steeve, les paroles étaient horribles avant l'arrivée de Shirley, car le but était de monter un groupe cool et d'enregistrer un disque.
- Shirley et Steeve sont déconcertés (et semblent dégoutés) par le pied du présentateur.
- Shirley a participé aux ARIA Music Awards (cérémonie australienne) où elle a remis un prix à Dave Graney (le roi de la Pop en Australie): elle ne l'avait jamais rencontré avant, et en montant sur le podium pour recevoir son prix, il a ignoré Shirley; il a embrassé et remercier Chrissie Hynde mais pas un regard vers Shirley.

Captures & Video

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1996-10-05-australie-livid_festival-backstage-interview2_red-cap16 1996-10-05-australie-livid_festival-backstage-interview2_red-cap17 1996-10-05-australie-livid_festival-backstage-interview2_red-cap18 
1996-10-05-australie-livid_festival-backstage-interview2_red-cap19 1996-10-05-australie-livid_festival-backstage-interview2_red-cap20 1996-10-05-australie-livid_festival-backstage-interview2_red-cap21 


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18 mars 2017

Sweet Relief II: Gravity of the Situation

Album Compilation
Sweet Relief II
Gravity of the Situation
The Songs Of Vic Chesnutt


1996-sweet_relief-01 
1996-sweet_relief-02  


1. Garbage – "Kick My Ass"
2. R.E.M. – "Sponge"
3. Nanci Griffith with Hootie and the Blowfish – "Gravity of the Situation"
4. Soul Asylum – "When I Ran Off and Left Her"
5. Dog's Eye View – "Dodge"
6. Live – "Supernatural"
7. Smashing Pumpkins with Red Red Meat – "Sad Peter Pan"
8. Sparklehorse – "West of Rome"
9. Joe Henry and Madonna – "Guilty By Association"
10. Kristin Hersh – "Panic Pure"
11. Cracker – "Withering"
12. Indigo Girls – "Free of Hope"
13. Mary Margaret O'Hara – "Florida"
14. Vic Chesnutt and Victoria Williams – "God Is Good"


1996-sweet_relief-03 

Durée: 00:59:56
Label: Columbia (Sony Music)
Format: CD
Pays: USA
Année: 6 août 1996


"Sweet Relief II: Gravity of the Situation" est un album à but caritatif (recettes reversés au Sweet Relief Fund pour aider les musiciens en besoin de soins de santé), où figure des groupes de rock alternatif qui chantent des reprises du musicien tétraplégique Vic Chesnutt. L'album est promu par un concert le 14 juillet 1996, sponsorisé par la chaîne musicale MTV: "An Evening of Sweet Relief" où Garbage interpréte deux lives: "Kick My Ass" et "Supernatural".
Un premier album "Sweet Relief: A Benefit for Victoria Williams" était sorti en 1993, avec des groupes faisant des reprises de Victoria Williams et dont les recettes étaient aussi reversés au Sweet Relief Fund.


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25 septembre 2016

16/06/2016 M80 Radio

Strange Little Birds Promo


 16 juin 2016
Radio M 80 - Madrid, Espagne

Interview Garbage
Shirley Manson, Steve Marker, Duke Erikson
> m80radio

2016-06-16-espagne-radio_M80-01 


 2016-06-16-espagne-radio_M80_by_jose_gegundez-02-1  2016-06-16-espagne-radio_M80_by_jose_gegundez-02-6  2016-06-16-espagne-radio_M80_by_jose_gegundez-02-7 
2016-06-16-espagne-radio_M80_by_jose_gegundez-02-4 2016-06-16-espagne-radio_M80_by_jose_gegundez-02-5 2016-06-16-espagne-radio_M80_by_jose_gegundez-02-3 
2016-06-16-espagne-radio_M80_by_jose_gegundez-02-2 2016-06-16-espagne-radio_M80_by_jose_gegundez-02-8 2016-06-16-espagne-radio_M80_by_jose_gegundez-02-9 
2016-06-16-espagne-radio_M80_by_jose_gegundez-02-10  2016-06-16-espagne-radio_M80_by_jose_gegundez-02-11 
2016-06-16-espagne-radio_M80_by_jose_gegundez-02-12 2016-06-16-espagne-radio_M80_by_jose_gegundez-03-2 2016-06-16-espagne-radio_M80_by_jose_gegundez-01-1 
2016-06-16-espagne-radio_M80_by_jose_gegundez-03-1 2016-06-16-espagne-radio_M80_by_jose_gegundez-03-3 2016-06-16-espagne-radio_M80_by_jose_gegundez-03-4 
2016-06-16-espagne-radio_M80_by_jose_gegundez-04-1 2016-06-16-espagne-radio_M80_by_jose_gegundez-04-2 2016-06-16-espagne-radio_M80_by_jose_gegundez-04-6 
2016-06-16-espagne-radio_M80_by_jose_gegundez-04-3 2016-06-16-espagne-radio_M80_by_jose_gegundez-04-5 2016-06-16-espagne-radio_M80_by_jose_gegundez-04-7 
2016-06-16-espagne-radio_M80_by_jose_gegundez-04-4  2016-06-16-espagne-radio_M80_by_jose_gegundez-04-10 
2016-06-16-espagne-radio_M80_by_jose_gegundez-04-8  2016-06-16-espagne-radio_M80_by_jose_gegundez-04-9 
2016-06-16-espagne-radio_M80-02 


> 16 juin 2016 - Publication sur Instagram
2016-06-16-espagne-radio_M80-madrid-instagram-1b 
2016-06-16-espagne-radio_M80-madrid-instagram-1a 


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8 août 2016

Dazed Autumn 2016

dazed-cover1 Dazed
n° ?
2 couvertures au choix (Léa Seydoux / Soko)

pays magazine: Angleterre
parution: août 2016
édition automne 2016

 £4.50 / 5,31 €
article sur Shirley Manson: "The alt-rock iconoclast inspires a new generation of females to explore their deepest fantasies".
> site web dazeddigital


Shirley Manson: sex, straight-talking & strange little birds
( source article dazeddigital.com )

dazed01  

On a high following Garbage’s triumphant new album, the unapologetic frontwoman talks pricking pomposity, Rihanna and the insanity of sexual double standards.
    Text Isabella Burley
    Styling Emma Wyman
    Photography Michael Hauptman
    Fashion Editor/Stylist Emma Wyman
    Hair Stylist Nikki Providence
    Makeup Artist Elie Maalouf

If you believe what you read in the 90s, Shirley Manson enjoys golden showers, is ‘sex on a stick’ and looks like Tina Turner on rhino tranquilisers when she lip-syncs. She’s also not the kind of girl you’d want to take home to your mother, more the kind of woman who’d serve cold rat to her crippled and imprisoned sister for a laugh.

“It wasn’t even slightly undermining terminology,” laughs Shirley Manson, recalling the obscenity of what the press (read: middle-aged music schlubs) have written about her. “Looking back, I didn’t say or do anything particularly wild or crazy. I’m actually pretty fucking together. It was just a way for people to undermine me, but that’s life.”

 

People tend to be intimidated by icons. The crazier the rumour, the greater the icon – and the bigger the threat. There’s no doubt that Manson is both. For three decades, the (formerly) flame-haired Garbage frontwoman has refused to compromise, subverting stereotypes and writing her own narrative in an industry still dominated by men. Manson, who began as an alternative voice for a generation of disaffected kids, has emerged as a true role model, speaking out against sexism and ageism while articulating the change she wants to see.

“I’ve always felt that the truth is powerful, even though it’s sometimes difficult to stomach,” says Manson. Today, the Edinburgh-born musician is back in her adopted hometown of LA (“I just love the dark, seedy underbelly of Tinseltown”) for a few days before heading out on tour with Garbage to promote their new album, Strange Little Birds. Here, she talks orgasms, Marilyn Manson, and giving as good as she gets.

You’ve always spoken so openly about sex. I remember reading that you bought a bright orange Fender guitar because you wanted it to match your pubic hair, which is amazing.
Shirley Manson:
 That’s true, I liked the colour of it. (laughs) I think I’m a truth-seeker, I’ve spent my entire life that way and I’m not entirely sure why. I think that when you’re seeking the truth, you want to explode all the bubbles. You see them and you just want to take a pin and burst them. I think I was probably bright and realised that sex was being used in an exploitative fashion – it was being appropriated and used in power-play. I didn’t like the power it had over me, so I decided to destroy it.

Did growing up in a ‘nice girls don’t talk about sex’ type of environment impact that ?
Shirley Manson
: Yes, I think it’s only recently that I’ve become more and more outraged about the inequality regarding female sexuality. I guess it was spurred by the onslaught of celebrities who were posting photographs of their bums on social media. I wanted to examine what that meant. As ape-like as it was, it did make me very aware of how we weren’t encouraged to think of ourselves as sexual in any way, shape or form in my generation. In the 70s and 80s, it was seen as shameful that women had any kind of sex drive. If we did, we were called ‘sluts’ and ‘whores’, and really, really frightening terminology was used to describe any woman who had any sexual desire whatsoever. I’m grateful that I was rebellious as a young person and fought back against that.

“I realised that sex was being used in
an exploitative fashion.
I didn’t like the power that it had over me,
so I decided to destroy it”
— Shirley Manson

Totally.
Shirley Manson:
 Now I’m really angry about it. Why is it that the entire sexual experience is couched in completely patriarchal terms? Why are we not expecting to have orgasms every time that we step up to the plate? Why is it a joke among women that we are somehow expected to fake an orgasm? I think women really need to start redrawing the playground in that regard. It’s important that we are sexually fulfilled – why should we be ashamed of our sex drives? Why shouldn’t the sexual act be pleasurable? It’s taken me a long time to get to this point where I’m truly outraged by it. I think of my teenage self and how we were almost conditioned by the idea that if we got into bed with somebody, as long as the male orgasm was achieved, there was success! It’s insanity. I’m grateful, particularly to Rihanna, who I think has changed the game in terms of how we view sexual women. To me, she feels completely equal with a male counterpart on a sexual level. She’s not being coy, she’s not playing power games, she’s not titillating and she’s not using her feminine wiles in a dangerous, dishonest way. I wish I’d had somebody like that when I was growing up.

 dazed02 
Lace dress Philosophy di Lorenzo Serafini,
laser cut dress worn underneath Anthony Vaccarello, tights UK Tights

What was your introduction to feminism?
Shirley Manson:
 Well, I read the Shere Hite Report (on female sexuality) when I was 14. My best friend Jane gave it to me and that’s where I discovered the female orgasm. I’d never, ever heard of it before and my mind and body were literally blown by this discovery. (laughs)

What happened next?
Shirley Manson:
 I became very loud. We had a teacher who was very much like Miss Jean Brodie, who had a clique of girls. It really was like that movie, where she sort of developed our confidence and our curiosity and introduced us to sex in literature. It was crazy. I got involved in a drama group and a band and became a professional show-off. I was quite insufferable, truth be told. I wanted to embarrass people with my body. I would be in rooms constantly showing my tits off… I’m so grateful that social media didn’t exist back then.

There’s one thing that I have to ask because I’ve heard rumours and wasn’t sure if it was true – about your boyfriend’s cornflakes? (Manson reportedly shit on an ex-boyfriend’s cereal. If someone treats you like shit)
Shirley Manson:
 That is true.

“I’m grateful, particularly to Rihanna,
who I think has changed the game in terms of
how we view sexual women”
— Shirley Manson

Amazing! What’s the craziest rumour you’ve ever heard about yourself?
Shirley Manson:
 My favourite one is that I’m related to Marilyn Manson. It’s amazing because I’d love for him to be my brother! There’s always a myriad of things written about anybody in the press. Things get exaggerated, completely taken out of context or people get it wrong and write it down and then it’s fact. Welcome to the new world of Wikipedia.

Recently, you’ve said that you felt sexism was your generation’s problem. Why?
Shirley Manson:
 I don’t think that sexism is my generation’s problem, it’s a humanistic issue that has gone on since time began. But I do believe that the lack of desire to really stand up as a feminist has fallen out of vote and that is my generation’s fault. When my generation first emerged and broke out into the alternative music scene, we really pushed. We were vocal. We were passionate and we really fought to be heard. And we succeeded, but we just took our eye off the ball and a whole generation of young women came up behind us, thinking they didn’t have to be alert. I’m always saying to young women, ‘It would be wonderful if we lived in the Garden of Eden, but we don’t – so stay alert and fucking wake up.’ You cannot walk down the street naked and there not be consequences. I’m sorry, I’d love to tell you that you can, but you can’t. Be aware of what’s out there, be smart, learn what’s in the shadows and try to protect yourself at all costs against people who don’t want you to have equal rights. There are people who will look at you salaciously; people will objectify you. The thing is, I don’t entirely know what the answer to it is, either.

dazed03 
Wool coat BOSS, tights UK Tights

I think it’s about including both sexes.
Shirley Manson: 
Yes… I really do believe more and more that feminism is not a female subject. It’s a human issue that we all need to work towards, together: the faster we get that message across, the better. There are so many men who feel threatened by so-called ‘feminism’, and feminism isn’t about threatening anyone. It certainly isn’t about stealing anyone else’s power, it’s about sharing. The entire word has been obfuscated, deliberately so. I’m convinced that it’s deliberate.

When I read the way male music journalists described you in the 90s, you came under so much criticism, it’s crazy! You must have always felt so misrepresented?
Shirley Manson: 
Yes, life isn’t easy so you have to hone your skills and figure out how you’re going to survive, and I did. They didn’t hold me back in the end, but there are so many women who are not as articulate as I am, or not as well-versed in how to push it, and that’s what concerns me. Again, just the influence on women’s currency is so skewed towards beauty and youth. People might say, ‘Of course she says that, she’s not young any more.’ And that’s right, but what’s happening to me is going to happen to all of you – every single one of you, male or female! I don’t think what I’m talking about is any less relevant as a consequence of me being older. I want to make it better for all of y’all because it’s too late for me! (laughs)

“I want all women to bloom,
to be unapologetic and have confidence in their skills,
intelligence and integrity”
— Shirley Manson

You’re just trying to help prepare the next generation.
Shirley Manson: 
Doing the press for this record, I’ve spoken about the importance of women understanding that they have more value than just the way they look. I really believe in it passionately and a lot of people say, ‘Oh, she’s just moaning,’ but I’m not just moaning – I’m protesting. It’s for you. It’s not for me because I’ve had a great career and actually, I’ve got a number-one fucking rock record in America right now (Strange Little Birds topped the Billboard rock album chart on release in June). I’m speaking out for you because I want all women to bloom, to be unapologetic and have confidence in their skills, intelligence and integrity – all the things that they can’t see inside, which are important. They’re tools at their disposal. Your appearance? You have no control over it, you can’t even take credit for it because it had nothing to do with you! (laughs)

Let’s talk about the new album. You’ve said that vulnerability has played a big role in shaping it?
Shirley Manson: 
I think anyone with half a brain is aware that we’re living in treacherous times. I mean, I really, genuinely feel that. It’s the most tumultuous time that I can remember. I’ve grown up through the 70s, which were not easy in the UK, but I feel somewhat scared – particularly by the level of denial which seems to be in operation right now about what’s actually happening. When we went to make this record, there were a lot of things at play. Obviously, I’m not the only person in the band so there were a lot of other agendas too, but my agenda was certainly that I wanted to be truthful about the world I found myself in and what that meant. It was an exploration of that, rather than a focus on just making people feel good. There are enough artists doing that. Now we need to really step up and start speaking out. If we don’t do it, who will? Unfortunately, the business side of music has distracted musicians from their task, and has only allowed those who play the game, conform and play happy-go-lucky pop music, to survive. I think you see fewer and fewer musicians willing to speak up. We just live in a cowed society right now, across the board – you probably see it in your world.

It will be interesting to see what happens to people like Rihanna and Beyoncé over the course of time.
Shirley Manson: 
For me, Rihanna has the voice of a generation. She’s like a Billie Holiday to me. She can sing until she’s an old woman like Aretha Franklin, she’s got something magical inside her. Beyoncé’s been very smart, and that incredible record that she’s just released has elevated her game. It’s taken her out of being just a pop entertainer and into the role of an artist. She’s like, ‘I can’t just keep being cute and pretty and dance for everyone,’ she’s been able to have a second act and that’s why I find those two women so exciting. Beyoncé’s Lemonade, to my mind, is unquestionably a masterpiece. Everyone says it’s this and that – it’s ‘calculated’. So fucking what if it is? She’s done a great job. Is she just supposed to be accidentally great? Like, she just stumbled into it? She fucking worked her ass off to get there, to get this smart, to know where to go. Meanwhile, someone like Jack White is called a genius. Well, they’re playing the same game but somehow, for a man, it’s cool to be a genius but for Beyoncé, she’s just got to be the cute little honey over there with a nice outfit, dancing all day for everybody. God forbid she think of herself in a more elevated way than just an entertainer. Fuck off! Everyone can fuck themselves.

Strange Little Birds is out now
Hair Nikki Providence at F
orward Artists using Bumble and bumble., make-up Elie Maalouf at Jed Root using M.A.C, photographic assistants Adam Torgerson, Jake Schmidt, fashion assistants Ioana Ivan, Megan King

 


--Bonus--

Sur le compte Instagram de Garbage,
Shirley a publié le 06 août 2016:

Thankyou Dazed Magazine
for featuring me in your pages this month
and for sending me this angel to love.
@emmawyman ⭐️

2016-08-06-dazed_magazine-set-1  

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27 mai 2016

Garbage vous donne le tournis dans « Empty »

modzik_logo  Garbage vous donne le tournis dans « Empty »
Article publié le 24 mai 2016
Par Quentin Adler
en ligne sur modzik

 modzik-garbage-shirley-manson 

Quatre ans après l’album Not Your Kind of People, Garbage revient sur le devant de la scène avec « Empty. »

Premier extrait de Strange Little Birds, on y retrouve les ingrédients qui ont fait le succès de Garbage : refrain explosif, guitares déchaînées et paroles pleine d’auto-dépréciation d’une Shirley Manson toujours aussi désabusée. Bref, « Empty » n’invente rien, mais est efficace et nous téléporte dans les années 90. De la création de ce nouvel opus, qui sera distribué par Stunvolume, le label du groupe, la chanteuse déclare d’ailleurs :

    Pour moi, cet album est celui qui est le plus en rapport avec notre premier album, par rapport aux autres. C’est comme se remettre dans l’état d’esprit d’un débutant. C’est en partie le résultat de n’avoir personne à qui rendre des comptes.

modzik-shirley-manson-garbage-empty-strange-little-birds-strangelittlebirds-modzik

Et le clip, alors ? Encore une fois, un retour aux sources pour le groupe qui a fait appel à Sam Bayer à qui l’on doit déjà la première vidéo du groupe, « Vow » mais aussi celles de « Only Happy When it Rains » et « Stupid Girl. » La camera tourne et tourne et tourne autour de la meneuse du groupe, plus charismatique que jamais, les cheveux roses et toute de cuir vêtue. Confettis, lumières de toutes les couleurs et plans sur le reste le bande s’enchaînent. Ça donne un peu mal au crâne, mais c’est beau.

28 mai 2016

Magazine Billboard 04/06/2016

billboard-2016-06-04  Billboard

édition 4 juin 2016
pays magazine: USA

article sur Shirley Manson


Shirley Manson Revisits Childhood Sexual Trauma as She Moves Forward With New Garbage Album
(
source article en ligne sur
billboard.com
)
5/26/2016 - by Danielle Bacher

2016-05-shirley_manson-billboard_sitting-010-1 

"Watch out for the killer beast!" warns Shirley Manson as she opens the door to her ivy-covered home in the Los Feliz neighborhood of Los Angeles. Veela, her beige miniature terrier (she's a rescue), is barking alongside the Garbage frontwoman's Doc Martens-covered feet. She's loud, full of frenetic energy and ­ignoring repeated pleas for quiet. "You're so ramped up right now!" yells Manson, 49. "Just zip it!"

Veela, it seems, takes after her owner. Since 1995, when Garbage -- which also includes producer-instrumentalists Steve Marker, Duke Erikson and legendary Nirvana boardsman Butch Vig -- broke through with the hit "Only Happy When It Rains," Manson has been one of rock's ­loudest and most outspoken agitators, and an inspiration to future generations of alternative stars like Lana Del Rey and Amy Lee from Evanescence. Twenty-one years later, little has changed -- both in person and in her music. Garbage's sixth studio album, Strange Little Birds (due June 10 on its own imprint Stunvolume), is led by new single "Empty," an ­exploration of Manson's career-long themes of self-doubt and ­disconnection. Harking back to the band's classic Garbage and Version 2.0 era, when singles like "Stupid Girl" (No. 24 on the Billboard Hot 100) and "#1 Crush" (No. 1 on Alternative Songs) made Manson an icon for disaffected ­Gen-Xers, the song begins: "I've been feeling so frustrated. I'll never be as great as I want to be ... What's wrong with me ?"

bill-2-Garbage-in-19-98-bb15-billboard-1240 
Garbage in 1998.
From left: Marker, Vig, Manson and Erikson.
Maryanne Bilham Photography/Redferns

"I'll feel really grateful for the success I've enjoyed, but then, at some point in the month, a dark Shirley returns -- and her voice gets really loud," says Manson of the song's lyrics while sitting in her ­living room, which is filled with art and travel books. "I'll feel like a f­--ing idiot because I don't have goals. I have self-doubt and ­frustrations and disappointments. I think it's part of the human condition. Even someone like Beyoncé doesn't f--ing believe in herself 24/7!"

Manson readily admits, however, that her esteem issues go deeper than most. As a child in Edinburgh, Scotland, she was bullied and ­sometimes cut herself. She says she felt like an outcast for having red hair and recalls her mother, a big-band singer who died in 2008 (her father is a retired university lecturer), giving more attention to her two sisters. "My mom was always the hardest on me because I looked the most like her," she says, twirling her now dyed-pink hair. "She would tell my two sisters they were beautiful, but tell me I had a great personality. I just thought I was an ugly bastard."

A few years ago, Manson revealed she had a relationship with a teacher in school; but even before that, she was traumatized by her first sexual experience, as a young teen. "A boy fingered me, then grabbed a knife and told me he was going to stick it up my vagina. I was 13 years old," she recalls -- the first time she has ever publicly spoken about the incident. "It frightened the shit out of me." A couple of days later, she realized that she had left her bra at his house. The boy ­threatened to mail it to her parents.

"I think that's where it all began to unravel," says Manson. "I just had this realization: Why am I distrustful all the time? It's probably because of that. I spent so long ­disgusted about myself. I would sob in the ­bathroom, because I thought I was failing."

Manson began performing just a few years after that -- first with Scottish acts Goodbye Mr. Mackenzie and Angelfish, before being recruited by her Garbage bandmates and imported to the States in 1994. She learned to push ­painful ­memories and insecurities to the side when needed; now, she says, she has learned to embrace them. Earlier in May, she fell off the stage at KROQ Los Angeles' Weenie Roast. Naturally, the footage ended up all over the Internet. "I had a flame of embarrassment, but I landed on my feet like a ninja, so I didn't give a f--," she says with a laugh. "I want people to see my fall. I don't want to make a lie that I am this perfect person. I am a hot mess! It's OK to fall."

Manson, who dipped her toe into acting in 2008 with a role on Fox's Terminator: The Sarah Connor Chronicles, long has been touted as a left-field style icon. But she has come to despise the "peddling of the beauty myth by the media," she says. "We're taught prettiness is the highest currency. Look at Vogue magazine; they put Kim Kardashian on the cover. That is a ­devastating message to send to 99.9 percent of women around the world. I don't mean to be disrespectful to her, but why aren't scientists on the cover? Or a novelist? Or other women who are achieving great things in the world ?"

bill-3-Shirley-Manson-beat-bb15-billboard-2016-embed1240
Dan Monick

For a while there were whispers about Manson going solo, but Garbage is still going strong: A hiatus from 2005 to 2010 is well in the rearview mirror, and a long-gestating Manson album reportedly was shelved for good around the time that the band's last album, 2012's Not Your Kind of People, came out. "We get on each other's nerves, but we like each other," says Manson of her ­bandmates. She has been married to Billy Bush, Garbage's longtime guitar tech/­engineer, for five years, and wrote the new song "If I Lost You," whose lyrics blur the line between ­passionate love and crippling jealousy, about their ­relationship. "I know a good one when I see one," she says of Bush, although she adds that she doesn't subscribe to the idea of everyone having one ­soulmate. "If he stopped making me happy, I wouldn't think twice about leaving him. He's probably in the other room thinking, 'Jesus f--ing Christ!' "

Manson smiles awkwardly and leans forward. "I don't know why I am telling you all this," she says. Then again, speaking her mind is one of the main reasons her music has connected with so many people -- and one of the main reasons she's still doing it. "Making music makes me feel like I am here; it's recognition that I exist. I'm grasping for connection." Manson sits back and laughs. "It's really pathetic, I know!"

This article was originally in the June 4 issue of Billboard.


Séance Photo
Date: May, 18, 2016
Lieu: XIX Studios in Los Angeles
Photographies de Dan Monick

Shirley Manson: The Billboard Shoot
( source: billboard.com )

2016-05-shirley_manson-billboard_sitting-010-1 

Growing Up
"My mom was always the hardest on me because I looked the most like her," says Shirley Manson, twirling her now dyed-pink hair. "She would tell my two sisters they were beautiful, but tell me I had a great personality. I just thought I was an ugly bastard."

2016-05-shirley_manson-billboard_sitting-020-1 

The Peddling of the Beauty Myth
"We're taught prettiness is the highest currency. Look at Vogue magazine; they put Kim Kardashian on the cover. That is a ­devastating message to send to 99.9 percent of women around the world. I don't mean to be disrespectful to her, but why aren't scientists on the cover? Or a novelist? Or other women who are achieving great things in the world ?"

2016-05-shirley_manson-billboard_sitting-030-1 

On Love
She has been married to Billy Bush, Garbage's longtime guitar tech/­engineer, for five years, and wrote the new song "If I Lost You," whose lyrics blur the line between passionate love and crippling jealousy, about their ­relationship. "I know a good one when I see one," she says of Bush, although she adds that she doesn't subscribe to the idea of everyone having one ­soulmate. "If he stopped making me happy, I wouldn't think twice about leaving him. He's probably in the other room thinking, 'Jesus f--ing Christ!' "

2016-05-shirley_manson-billboard_sitting-020-2  

On Self-Doubt
"I'll feel like a f­--ing idiot because I don't have goals. I have self-doubt and ­frustrations and disappointments. I think it's part of the human condition. Even someone like Beyoncé doesn't f--ing believe in herself 24/7!"

2016-05-shirley_manson-billboard_sitting-010-2  

'Flame of Embarrassment'
Earlier in May, Manson fell off the stage at KROQ Los Angeles' Weenie Roast. Naturally, the footage ended up all over the Internet. "I had a flame of embarrassment, but I landed on my feet like a ninja, so I didn't give a f--," she says with a laugh. "I want people to see my fall. I don't want to make a lie that I am this perfect person. I am a hot mess! It's OK to fall."

 2016-05-shirley_manson-billboard_sitting-020-3  

On the Drive to Make Music
"Making music makes me feel like I am here; it's recognition that I exist. I'm grasping for connection." Manson sits back and laughs. "It's really pathetic, I know!"

Enregistrer

29 mai 2016

Strange Little Birds Tour 1

Dates de la première tournée pour l'album "Strange Little Birds"

14 mai 2016 - KROQ, Weenie Roast, Irvine Meadows Amphitheatre, Irvine, CA, USA
17 mai 2016 - East West Studios, Los Angeles, CA, USA
18 mai 2016 - East West Studios, Los Angeles, CA, USA
19 mai 2016 - Jimmy Kimmel Live, Los Angeles, CA, USA
24 mai 2016 - La Cartonnerie, Reims, France
26 mai 2016 - Rock Im Revier, Dortmund, Allemagne
27 mai 2016 - Women of the World Festival, Alte Oper, Francfort, Allemagne
28 mai 2016 - Rockavaria Festival, Olympiapark, Munich, Allemagne
30 mai 2016 - The Paradiso, Amsterdam, Pays-Bas
31 mai 2016 - Den Atelier, Luxembourg, Luxembourg
01 juin 2016 - Caribana Festival, Nyon, Suisse
03 juin 2016 - Le Radiant, Lyon, France
04 juin 2016 - Festival Montereau, Montereau, France (ANNULE)
05 juin 2016 - La Belle Electrique, Grenoble, France (COMPLET)
07 juin 2016 - Center Urbane Kulture Kino Siska, Ljubljana, Slovenie
08 juin 2016 - Fabrique, Milan, Italie
10 juin 2016 - Nova Rock Festival Nickelsdorf, Autriche
13 juin 2016 - Troxy, Londres, Angleterre
14 juin 2016 - Rock City, Nottingham, Angleterre
16 juin 2016 - Mad Cool Festival, Madrid, Espagne
18 juin 2016 - WKQX PIQNIQ Tinley Park, Illinois, USA
06 juillet 2016 - Summerfest Milwaukee, Wisconsin, USA
07 juillet 2016 - Skyway Theatre Minneapolis, Minnesota, USA
08 juillet 2016 - SumTur Amphitheatre, Omaha, Nebraska, USA
10 juillet 2016 - Uptown Theatre, Kansas, Missouri, USA
12 juillet 2016 - The Pageant St. Louis, Missouri, USA
13 juillet 2016 - Z104.5 The Edge 21st Birthday Bash, Brady Theater Tulsa, Oklahoma, USA
15 juillet 2016 - Egyptian Room, Indianapolis, Indiana, USA
16 juillet 2016 - The Fillmore, Detroit, Michigan, USA
17 juillet 2016 - PromoWest Fest, Columbus, Ohio, USA
19 juillet 2016 - The Mill and Mine, Knoxville, Tennessee, USA
20 juillet 2016 - Ryman Auditorium Nashville, Tennesse, USA
22 juillet 2016 - Tabernacle, Atlanta, Georgie, USA
23 juillet 2016 - Fillmore Charlotte Charlotte, Caroline Nord, USA
25 juillet 2016 - The National, Richmond, Virginie, USA
27 juillet 2016 - Starland Ballroom, Sayerville, New Jersey, USA
28 juillet 2016 - House Of Blues Boston, Boston, Massachusetts, USA
30 juillet 2016 - The Fillmore Philly, Philadelphie, Philadelphie, USA
31 juillet 2016 - Rams Head Live!, Baltimore, Maryland, USA
01 août 2016 - Summerstage New York, NY, USA
03 août 2016 - The Lincoln Theater, Washington, District Columbia, USA
06 août 2016 - River Nights Rheinfelden, Suisse
08 août 2016 - Lokerse Feesten Lokeren, Belgique
10 août 2016 - A Summers Tale Luhmuhlen, Allemagne
12 août 2016 - Fêtes du Bruit Landerneau, France
14 août 2016 - Kubana Festival Riga, Lettonie

Le groupe commence par quatres dates aux Etats-Unis, des petits concerts, mais la première vraie date du "Strange Little Birds Tour" est en France, à Reims. Le groupe passe ensuite dans diverses villes d'Europe, avant de retourner aux USA pour l'été (du 18 juin au 03 août) pour revenir pour quelques dates européennes.
Eric Avery accompagne le groupe à la basse.
A noter: 5 dates en France dont 2 festivals: Reims (24/05), Lyon (03/06), Montereau (04/06 - festival), Grenoble (05/06), Landerneau (12/08 - festival).
Màj au 02/06/2016: Dû aux inondations qui sévissent actuellement dans certaines régions en France, le Festival de Montereau est annulé.


 2016-strange_little_birds_tour_1  


Dates of the first tour for the album "Strange Little Birds"

May, 14th, 2016 - KROQ, Weenie Roast, Irvine Meadows Amphitheatre, Irvine, CA, USA
May 17th, 2016 - East West Studios, Los Angeles, CA, USA
May 18th, 2016 - East West Studios, Los Angeles, CA, USA
May 19th, 2016 - Jimmy Kimmel Live, Los Angeles, CA, USA
May 24th, 2016 - La Cartonnerie, Reims, France
May 26th, 2016 - Rock Im Revier, Dortmund, Germany
May 27th, 2016 - Women of the World Festival, Alte Oper, Frankfurt, Germany
May, 28th, 2016 - Rockavaria Festival, Olympiapark, Munich, Germany
May, 30th, 2016 - The Paradiso Amsterdam, Netherlands
May, 31th, 2016 - Den Atelier Luxembourg, Luxembourg
June, 01st, 2016 - CARIBANA FESTIVAL Nyon, Switzerland
June, 03rd, 2016 - Le Radiant Lyon, France
June, 04th, 2016 - Festival Montereau, Montereau, France (CANCELLED)
June, 05th, 2016 - La Belle Electrique, Grenoble, France
June, 07th, 2016 - Center Urbane Kulture Kino Siska Ljubljana, Slovenia
June, 08th, 2016 - Fabrique Milan, Italy
June, 10th, 2016 - Nova Rock Festival Nickelsdorf, Austria
June, 13th, 2016 - Troxy London, United Kingdom
June, 14th, 2016 - Rock City Nottingham, United Kingdom
June, 16th, 2016 -Mad Cool Festival Madrid, Spain
June, 18th, 2016 - WKQX PIQNIQ Tinley Park, IL
July, 06th, 2016 - Summerfest Milwaukee, WI
July, 07th, 2016 - Skyway Theatre Minneapolis, MN
July, 08th, 2016 - SumTur Amphitheatre Omaha, NE
July, 10th, 2016 - Uptown Theatre Kansas City, MO
July, 12th, 2016 - The Pageant St. Louis, MO
July, 13rd, 2016 - Z104.5 The Edge 21st Birthday Bash, Brady Theater Tulsa, OK
July, 15th, 2016 - Egyptian Room Indianapolis, IN
July, 16th, 2016 - The Fillmore Detroit, MI
July, 17th, 2016 - PromoWest Fest Columbus, OH
July, 19th, 2016 - The Mill and Mine Knoxville, TN
July, 20th, 2016 - Ryman Auditorium Nashville, TN
July, 22th, 2016 - Tabernacle Atlanta, GA
July, 23rd, 2016 - Fillmore Charlotte Charlotte, NC
July, 25th, 2016 - The National Richmond, VA
July, 27th, 2016 - Starland Ballroom Sayerville, NJ
July 28th, 2016 -House Of Blues Boston Boston, MA
July, 30th, 2016 -The Fillmore Philly Philadelphia, PA
July, 31th, 2016 -Rams Head Live! Baltimore, MD
August, 01st, 2016 - Summerstage New York, NY
August, 03rd, 2016 - The Lincoln Theater Washington, DC
August, 06th, 2016 - River Nights Rheinfelden, Switzerland
August, 08, 2016 - Lokerse Feesten Lokeren, Belgium
August, 10, 2016 - A Summers Tale Luhmuhlen, Germany
August, 12, 2016 - Fêtes du Bruit Landerneau, France
August, 14, 2016 - Kubana Festival Riga, Latvia

The band starts with four dates in the US, small concerts, but the first real date of the "Strange Little Birds Tour" is in France, in Reims. The group then performs in various cities in Europe, before returning to the US for the summer (from June 18th to August 3rd) and to come back in Europe for some dates.
Eric Avery joins the band to play bass.


Répétitions / Rehearsals

2016-04-strange_little_birds_rehearsal-instagram-1 2016-04-strange_little_birds_rehearsal-instagram-2 2016-04-strange_little_birds_rehearsal-instagram-3 
2016-04-strange_little_birds_rehearsal-instagram-4 2016-05-15-garbage-rehearsal-instagram-1 2016-04-strange_little_birds_rehearsal-fb-1 


© All images are copyright and protected by their respective owners, assignees or others.
copyright text by GinieLand. 

5 juillet 2018

Rolling Stone , Juillet 2018

2018-06-29-RS-n106  Rolling Stone
n°106
pays magazine: France
paru le 29 juin 2018
article de 2 pages sur Garbage


- INTERVIEW –
Shirley Manson : Garbage et elle

Sophie Rosemont
(
source article
rollingstone.fr
)

2018-06-29-RS-n106-img 

Le deuxième album de Garbage, 2.0, fête ses 20 ans et s’offre une belle réédition. L’occasion de rencontrer la chanteuse du groupe, Shirley Manson, à Londres pour un petit flash back…

Une maison londonienne typique, avec bow window, petit jardin et adorable toutou en option… Plutôt que de s’entretenir avec les journalistes dans un hôtel, Shirley Manson a choisi le domicile d’une des amies de son label anglais. Tant mieux : toujours rousse, l’œil clair, la moue naturellement gouailleuse, elle est détendue et éclate de rire facilement. C’est parti pour une longue conversation sans non dits où on revient sur la genèse et le succès du second album de Garbage, 2.0., son féminisme et la manière dont elle a réussi à s’affirmer, les années passant et le recul aidant. Définitivement, miss Manson est l’une des icônes féminines les plus rock’n’roll de notre époque.

Vous souvenez-vous de l’enregistrement de 2.0 ?
On voulait faire une musique beaucoup plus futuriste que sur le premier album et on avait même un terme pour ça : sci-fi pop. Nos modèles, c’était Massive Attack, Portishead, les Chemical Brothers. On est retourné enregistrer aux Etats-Unis, dans le Wisconsin. La mère de Steve était en train de mourir, Duke vivait les meilleurs moments de son existence et Butch était plutôt en forme. Moi, j’étais résolue à rentrer dans le lard de tout le monde si besoin, m’affirmer davantage que sur le premier album où j’étais arrivée trop tard pour écrire la totalité des textes. Je suis très directe, je n’ai pas le temps d’être timide ou peureuse, c’est ce que j’ai voulu prouver avec 2.0.

Vous avez évolué dans un groupe d’hommes, mais avez collaboré avec des artistes féminines, de Blondie à Sky Ferreira… Besoin de solidarité ?
En tant que chanteuse d’un groupe de rock, j’ai rencontré beaucoup de malveillance ou de jalousie de la part d’autres musiciennes. Alors que je m’étais toujours senti à l’aise avec elles, car j’ai deux sœurs, je suis féministe… En me rapprochant de femmes artistes, j’ai clairement montré que je refusais cette compétition si facilement imposée par la société. Je veux voir les autres femmes comme des alliées. Notre force respective doit nous fédérer. Car même si on a plus de liberté que nos mères ou grand-mères, le chemin est difficile pour s’imposer…

Vous avez travaillé dur pour ça ?
Oui, et une fois que j’avais du succès, je m’en suis voulue… comme si je ne le méritais pas ! Ce n’est que maintenant que j’en profite et l’apprécie vraiment !

Pensez-vous toujours que 2.0 est la quintessence de Garbage ?
Oui. Si je devais choisir un seul album à jouer sur scène, ce serait celui-ci. Le premier album était un succès mais il était totalement bordélique. 2.0, lui, était parfaitement exécuté. Ce qui nous a aidé à ne pas trop vieillir, c’est que nos disques sont de drôles de mélanges. Sans doute parce que nous sommes tellement différents au sein du groupe. S’il y a quelque chose dont je suis fière, c’est ce son authentique et original.

Comment aviez-vous géré l’immense succès qui vous était tombé dessus à l’époque ?
C’était génial, et il nous a permis de faire 2.0 dans d’excellentes conditions, mais j’avais tendance à être agressive. Je suis définitivement très fragile, j’ai donc développé une faculté à tenir les gens éloignés afin d’éviter leurs coups et qu’ils ne se foutent pas de ma gueule. Avec le succès, j’ai d’autant plus gardé les gens à distance. Pourtant, je suis un agneau… Mais dans la presse, on te présente que d’une seule et unique manière, alors qu’en tant qu’humains, nous sommes une multitude de visages en une seule personne, selon notre expérience, notre passif. Bon, cela étant dit, je me contredis tout le temps…

Est-ce pour cette raison que vous êtes partie vivre à Los Angeles ?
Sans doute. On y est anonyme, on peut y renaître, même si on a l’impression d’être cassé en mille morceaux. En Ecosse, en Angleterre, j’étais jugée de toutes parts. J’avais terriblement peur de l’échec, et c’est dans cette nouvelle vie que j’ai accepté l’idée que tout pouvait voler un éclat. Mais que ce n’était pas grave ! J’ai mis beaucoup de temps à me sentir légitime.

Quand avez-vous réalisé que vous étiez une artiste à part entière ?
Jusqu’en 2012, je n’arrivais pas à me préfigurer comme une artiste, je portais ce statut aux nues et je me sentais très au-dessous. Cette année-là, j’ai retrouvé Garbage sur scène à Coachella, et j’ai vu plein de groupes jouer avant ou après nous. Non seulement j’ai réalisé que je n’étais pas moins douée, mais surtout que j’étais nettement meilleure ! Je suis rentrée chez moi, j’ai rappelé les membres de Garbage et je leur ai dit : « on fait un autre album, les gars ! Maintenant ! »

Qu’est-ce que ça fait de remporter un Icon Award, celui du magazine NME ?
Que ce magazine, avec qui j’ai eu une relation passionnelle pendant des années, me choisisse parmi toutes les chanteuses, ça m’a énormément touchée. J’étais très surprise aussi, car c’est vraiment venu de nulle part, Garbage n’ayant pas fait parler de lui ces dernières années ! Bref, j’étais ravie mais j’ai essayé de ne pas le prendre trop au sérieux, surtout avec mes amis qui me charrient en terminant leurs phrases par « n’est-ce pas, ô icône ? »

Qui sont vos propres icônes ?
J’aime David Bowie et Nick Cave mais j’écoute avant tout beaucoup de femmes. Surtout celles qui avait un véritable combat à mener et qui ont été assez généreuses pour partager leur intensité avec le reste du monde : Nina Simone, Maya Angelou, Billie Holiday, ma mère, ma grand-mère, qui était très admirative des suffragettes. Elle était brillante, diplômée en mathématiques et en astronomie, qui a réussi à élever ses enfants alors que son mari était décédé, tout en enseignant son savoir avec passion. C’était une badass granny !

Et vous, on peut dire que vous être tout aussi badass ?
J’espère bien. Et je le prends pour un compliment…

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